Tidal Connect only connecting in low quality
Tidal Connect only connecting in low quality
I’m using Tidal Connect daily and most of the time it’s working, but sometimes it can’t connect in Max quality to my streamer.
NEW: I’ve found out that this problem occurs when too many data streams are open at the same time. Even though I do have two Gigabit connections (AT&T and Xfinity) if there’s for example a Bitcoin chart tool running at the same time, it seems to take away too much of the available bandwidth. This problem is causing the Tidal app to stream in lower playback quality. When you close all other applications the problem is gone.
The streamer I’m using is not a cheap one but after reading about many people with different streamers complaining about the same problem, I’m sure it has nothing to do with the streamer itself or the connection between the Tidal Connect device and the streamer. My streamer is actually connected via ethernet and not via WiFi. So there should be no problem, but there is. My Tidal app settings are set to MAX.
My streamer is an Auralic streamer paired with an Apple iPad Mini.
When starting the Tidal app it shows e.g. “24-Bit 44.1 kHz FLAC“, but after pushing the Tidal connect button the same song suddenly shows only “96KBPS AAC” which is obviously low quality. After trying to solve this in many ways, I figured out that this can’t be a connection problem.
So far I didn’t use Apple AirPlay because I thought that it would only work with WiFi or Bluetooth and would therefore likely provide lower quality playback.
As mentioned my iPad Mini is connected ONLY via Ethernet. WiFi and Bluetooth are switched off.
To my surprise I’ve tried to use Tidal Connect and connected via Apple AirPlay (in the Tidal app on my Apple iPad Mini) and was surprised that this is actually working via Ethernet without WiFi or Bluetooth. I’ve even double checked all connections and it is in fact working without WiFi or Bluetooth switched on.
It also shows the correct playback quality of “24-Bit 44.1 kHz FLAC”.
Meanwhile I’ve tested it with other tracks like Pink Floyds – Wish you were here which plays in “24 Bit 192 kHz Flac” and many others and it’s working flawlessly.
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Tidal Connect low quality playback problem solved

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Tidal Connect might go down to 96 kbps AAC
Why is Tidal only playing in AAC 96kbps?
Official TIDAL HIFI Streaming Issues
Playing AAC instead of FLAC in Tidal
Tidal switches from “Max” to “High” with Tidal-Connect
Tidal switches from “Max” to “Low” with Tidal-Connect
Auralic ARIES G2.2
Auralic Polaris
Auralic Aries Mini
Naim Uniti Atom
Cambridge Audio EXN100
Bluesound NODE
Sonos Port
Yamaha WXC-50
Wiim Pro Plus
Ruark R610 Music Console
KEF LS Wireless
Linn Selekt DSM
NAD C 658
Audioengine B-Fi
StreamUnlimited Stream210
Asustor Lockerstor 4
Aurender A1000
Ideon Audio Absolute Stream Meta Edition
LampizatOr Poseidon DAC/Pre
Meridian Sooloos
PS Audio Perfect Wave DAC + Bridge
Marantz MODEL 30 (with SACD30n)
Eversolo DMP-A8
Eversolo DMP-A6
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High-Resolution Audiophile Music Streaming: The New Frontier of Audio Experience
In the ever-evolving landscape of music consumption, high-resolution audiophile music streaming stands at the forefront, promising an unparalleled listening experience. For the discerning ear, the transition from standard audio formats to high-resolution (Hi-Res) streaming represents not just an advancement but a revolution in how we perceive and enjoy music.
High-resolution audio, often referred to as HD audio, typically boasts a sample rate greater than 44.1 kHz or a bit depth higher than 16-bit, surpassing the traditional CD quality. This leap in technology allows for the preservation of more detailed sound information, resulting in a richer, more vibrant, and more dynamic listening experience. The adoption of formats like Dolby Atmos and Sony’s 360 Reality Audio further enhances this by adding spatial audio, making listeners feel as though they’re within the music’s environment.
Streaming platforms have recognized the growing demand for quality over quantity. Services like Tidal, Qobuz, and Amazon Music HD have positioned themselves as leaders in delivering Hi-Res audio, offering libraries that not only include the latest hits but also cater to audiophiles with master-quality recordings. These platforms often provide lossless audio, ensuring no data is lost in compression, thereby maintaining the integrity of the original recording.
The integration of Hi-Res audio into streaming platforms is not without its challenges. The requirement for compatible hardware — from high-quality DACs (Digital-to-Analog Converters) to advanced headphones or speaker systems — means that listeners must invest in technology capable of reproducing these high-fidelity sounds. However, with technology becoming more accessible, even mobile devices now come equipped with DACs capable of handling Hi-Res, making this luxury more attainable.
The audiophile community’s embrace of Hi-Res streaming isn’t just about superior sound quality; it’s about experiencing music as intended by artists and producers. This movement is also pushing content creators to rethink recording, mixing, and mastering processes, aiming for higher standards that can truly shine in a Hi-Res format.
Critically, while Hi-Res streaming offers a tangible improvement in sound quality, it’s also sparking debates over whether the average listener can discern the difference, especially without top-tier equipment. Nonetheless, for those who can afford and appreciate the nuances, Hi-Res streaming is not just a trend but a standard that’s here to stay.
In conclusion, high-resolution audiophile music streaming represents a commitment to sound quality in the digital age. It’s a nod to the past, where music was appreciated in its most pristine form, while leveraging future technologies to deliver an immersive, detailed, and emotionally resonant experience. As streaming services continue to refine their offerings, and as consumer technology evolves, the barrier to entry for enjoying music in its highest form continues to lower, promising a golden era for music lovers globally.